Tuesday 27 March 2012

The Salon in April: Ethical Choices in Visual Culture Research - an afternoon symposium - Wednesday 4 April 2012

Oh, Salonnieres, we are moving up in the world! I am pleased to let you know that we are holding our first ever joint research event on the 4th of April, looking at visual culture and ethical research. This is a bit of a hot topic in the 1616 office (to the point that we gesture vigorously with teaspoons and speak through our mouthfuls of cake!) so we raised the issue at The Salon AGM and next thing you know: we've got an afternoon symposium jointly organised with IDeograms (Interdepartmental Group for Research into the Arts Media and Society)! We are very excited about this event and cannot wait to discuss issues of digital research, visual culture, and academic ethics with you, so here is all the information you will need: 

The forthcoming afternoon symposium on visual culture and ethical research is of vital importance not only to those who use visual culture within their research but also to those students and staff who have questions about academic research in a digital age. It is also an issue of particular importance to University of Leicester students. The University of Leicester is one of the first institutions is one of the first to embrace the possibilities of digital research by putting all doctoral theses online, but what does this mean for students and researchers?   

The event has been organised jointly by the Department of History of Art and Film’s postgraduate seminar group, The Salon, and the Interdepartmental Group for Research into the Arts Media and Society (IDeoGRAMS), to consider some of the legal, ethical and moral questions involved in using visual material in an academic context.  In an age when the internet allows access to more and more visual material, much of which has been previously unavailable, academics have an increasingly rich seam of visual sources to tap into.  But as responsible scholars, should we really assume that just because something is available it should be used?  For example, what happens if we are unable to establish provenance for the material, or its originator is clearly not the rights holder?  What is the legal position and what ethical choices do we face? 

These are some of the questions that this seminar is designed to engage with.  Contributors will include Gareth Johnson, Document Supply & Leicester Research Archive Manager, who will address some of the issues surrounding copyrighted material and fair dealing and Dr. Natasha Whiteman from the Department of Media and Communications, who will lead us through the ethical and moral maze we might encounter when using visual media.  There will also be time set aside for a more general discussion of the topic, which will give attendees an opportunity to raise their own questions.  This is an interdisciplinary event open to all staff and students who engage with visual material in their work and we hope to be able to bring as many perspectives to the table as we can. 
The afternoon will conclude with a summing up by Professor Kevin Schürer, Pro-Vice-Chancellor with special responsibility for Research and Enterprise. 

The symposium will take place on Wednesday 4 April 2012 from 2.00- 5.00pm at Bankfield House, 132 New Walk.  If you would like more information, please don’t hesitate to contact either us at the blog or by email. You can reach us at tothebourgeois at gmail dot com, or at vrb3 at le dot ac dot uk.  

We would encourage you all to attend this Salon and IDeoGRAMS event. It promises to be an interesting and productive afternoon involving staff and students from across the University, and will directly address questions of academic practice that may affect your own studies and research.

This is the first, but we hope not the last, joint research event for the Salon, and we would love to see as many people there as possible, not least because we feel that digital humanities is an area which raises questions and issues, but is, undoubtedly, here to stay. In the words of the late, great Mrs Merton, 'Let's have a heated debate!', but with academic rigour. And cake, obviously.    

Monday 5 March 2012

Everything you need to know about the second half of the Department


Since I'm now course representative for postgraduate History of Art and Film I thought I better take my duties absolutely seriously and try and, you know, represent the course. 

Unfortunately, I know very little about the history of art, though in the course of my research I discovered that there is a little known genre of art called Paysage avec ruins which is French for Landscape with Ruins, which is part of a wider fascination with Gothic and classical ruins, but I digress. Therefore, I can only really cover the history of film, which brings me to the subject of this rather rambling blog post: Mark Cousin's The Story of Film: An Odyssey.  

This series does what it says on the tin, it tells the story of film. It is unreservedly excellent. In fact, I think many film students could save themselves a vast sum of money by not going to university and just watching this instead. Cousin's begins at the beginning, which is already a major advance on the structure of many first year undergrad courses, with the Lumiere Brothers and the invention of film. Each episode deals with a decade in cinema history. He is both knowledgeable and enthusiastic about each change and advance in film making, but not in that hyper-active, slightly panting way that seems to be in vogue. Think Simon Schama or Michael Palin but talking about films. He covers world cinema as well as Hollywood, he discusses the change in gender roles and power in the industry and he gives numerous concrete examples of styles and concepts, and he does this in every episode. For me, the examples are the most important point, he doesn't make vague references to Italian neo–realism or Hollywood musicals, he shows several examples from films and analyses exactly what is happening on screen and why it is key to the development of the film art form. Though some aspects are covered somewhat too rapidly and some points are Cousin's opinion rather than factual information overall the series is a fascinating watch.

Now, I am aware that this is primarily useful to those researching or studying film. However, I have watched countless wildlife documentaries without any desire to get a degree in zoology or biology. Similarly, I watched a whole series on BBC4 about the Impressionists last year (Oh wait, I do know something about art history after all!) but haven't written a paper on Van Gogh's Field of Crows. The point, there is one, honestly, is that this is brilliant documentary that will genuinely teach you about a hugely important aspect of art and popular culture. That, and I could think of anything else to write about.

The book is out now; the DVD is released on April 23rd.  

Also, if anyone has any issues they want me to raise in staff/student meetings, feel free to email me.

Thursday 1 March 2012

The Salon in March and 2012 schedule


So, Salonnieres, we meet again! (Every first Wednesday of the month, to be exact.)
Many thanks to those of you who turned out last month for Professor David Ekserdjian's informative and fascinating lecture on getting published, and many thanks to Professor Ekserdjian himself.
Next week's Salon will perhaps be a little less prestigious, but will return to one of The Salon’s main objectives, to act as a forum for ongoing research within the department. In ‘Screen Test Salon’ next Wednesday, Victoria Byard will present an early version of her upcoming paper for the International Conference for the Fantastic in the Arts:  "There is always strangeness in things": the Monstrous in Russell T. Davies's Dark Season and Century Falls.


                              


This is part of Victoria’s ongoing thesis research on British children’s television fantasy between 1955 and 1994.
The Salon will take place on Wednesday 7th March from 13:00 to 15:00 in ATT LG02 (Attenborough Seminar Block Basement). All are welcome!
In further news, we are also happy to announce that the schedule for the rest of the year has now been finalised, and can be found below.
We would particularly like to draw your attention to The Salon in April. The Salon, in association with IDeoGRAMS, the Interdepartmental Group for Research into the Arts, Media and Society, will be holding a joint research seminar on  April 4th 2-5pm, Bankfield House (132 New Walk) Room 0.02, looking at visual culture, academic practice and ethics. This promises to be an exciting and potentially productive afternoon of research, involving colleges across the University of Leicester. This event has come from the shared belief that discussion about academic practices surrounding visual culture, its sources and ethics is timely, relevant and perhaps necessary. The proliferation of new media platforms and relationships over the last thirty years has contributed to ongoing changes in research practices and publishing, as well as international, and institutional, policy and legislation. The dynamic and unpredictable cultures which these platforms and their uses have nurtured, and which have ongoing effects upon academic research, suggest that an interdisciplinary examination would prove profitable.
We are interested in addressing the ongoing issues and tensions surrounding the use of visual images and material across the disciplines, with particular attention paid to such issues as

•         visual culture and copyright: using visual material in published research and theses

•         the ethics of using visual culture: provenance, ownership, and pragmatism

•         the impact of the internet upon the use of visual sources in academia

•         'legitimate' material: media property, file sharing, and quality

•         visual sources as documentary evidence: privacy and permission

The Salon believe that these issues are particularly relevant to the study of History of Art and Film, and the wider University of Leicester community, given the current institutional policy of publishing  theses in e-form. We would invite all those with an interest to attend, and we would encourage you to disseminate this information to anyone you think might be interested.
In addition, we would like to draw your attention to The Salon in June. This will be a session of mini-presentations based loosely around the theme of ‘The End of the World’.



The literal translation of apocalypse is ‘revelation’ or ‘a lifting of the veil’; consequently we are looking for submissions for ten-minute presentations, looking at representations of change and revelation as much as more commonly understood conceptions of apocalypse and post-apocalypse. If you want to practice giving research presentations, this could be an enjoyable and easy way to do so! Please contact us at vrb3@le.ac.uk with your proposals. 

You can also keep up to date with what's going on at The Salon on Twitter @thesalon_haf, or join the Facebook group at https://www.facebook.com/#!/groups/155452421216246/. If you would like to contribute to the blog with posts about ongoing research, issues that you've come across as a postgraduate student or even just interesting links, then we would be happy to have you! You'll need a Googlemail account to be able to post, so if you forward your details to vrb3@le.ac.uk, we will be able to add you as a blogger.
Hope to see you next week, and at the following events!


                                             The Salon: schedule for 2012

7th March, 13:00-15:00
ATT LG02
‘Screen Test Salon’
Victoria Byard - "There is always strangeness in things": the Monstrous in Russell T. Davies's Dark Season and Century Falls

4th April, 14:00-17:00
Bankfield House (132 New Walk) Room 0.02
Visual Culture and Research Ethics joint seminar with IDeoGRAMS

2nd May, 13:00-15:00
ATT LG02
Megan Leyland – paper title TBA

6th June, 13:00-15:00
ATT LG02
The End of the World interdisciplinary mini-presentations (proposals now being accepted)

1st August, 13:00
Library Café
Informal Summer session

5th September, 13:00-15:00
Room TBC
I Know What You Did Last Summer: Academic Edition